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SHEHR-I-KASHMIR
CULTURAL RESOURCE MAPPING OF SRINAGAR CITY (2004-2005)

> Architecture of Srinagar City
The architecture of Srinagar and by extension of Kashmir is the architecture of stone, wood and bricks. It is the architecture of the kings, the elite and that of common city dwellers. In terms of time, it spans a period of over fifteen centuries. In terms of style, it has Chinese, Greek, Central Asian, Persian and European influences. This architecture is a classic example of synthesis between what was foreign and what must have been indigenous. It is an architecture that evolved over time and along with time, thus representing the built heritage of a nation, of a civilization that evolved in isolation of its snow clad mountainous barriers.
The architecture of Srinagar may be broadly classified into three distinct styles:
MONUMENTAL COLONIAL VERNACULAR

The monumental architecture of Srinagar is mostly associated with religion, with the temples, mosques, shrines and the Khanqahs. It is basically architecture of stone, brick and wood. The stone architecture of Srinagar dates back to the Hindu and Buddhist period. Only isolated remains of this style exist within the city of Srinagar. The major examples of this architectural style can be seen away from the main city, at places like Awantipora, Martand and Parihaspora.

The wooden architecture of Kashmir is almost entirely associated with the post fourteenth Century Islamic period and some of its earliest, most prominent and beautiful examples can be seen in the city of Srinagar, where it flourished. Also associated with the Islamic period are some of the mosques built by the Mughals in the region. Built primarily in brick with surface treatments and embellishments done in finely dressed limestone; these buildings follow the general principles of Mughal architecture that evolved outside Kashmir in the plains of the Indian Subcontinent.

The introduction of Colonial influences can be directly linked to the latter part of the 19th Century when under the Dogra rule, institutions like colleges, factories and hospitals were setup in the region, most of which were built and organized on European pattern. Simultaneously, the architectural influences also got assimilated in the local residential architecture. Initially it was the elites of the country, directly linked with the Dogra Durbar who patronized this architectural style, but by early 1920s subtle influences could be discerned in most of the buildings of the city. By late 1940s this architectural style seems to have filtered out, though individual elements linked with this style continue to be used in buildings and structures.
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